Wilson Pickett (March 18, 1941 - January 19, 2006) is an American singer and songwriter.
The main character in the development of American soul music, Pickett recorded more than 50 songs that make R & amp; B, many of which were thrown into Billboard Hot 100. Among his most famous hits were "In the Midnight Hour" (which he wrote together), "Land of 1,000 Dances", "Mustang Sally", and "Funky Broadway".
Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his influence on songwriting and recording.
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Pickett was born March 18, 1941 in Prattville, Alabama, and sang in the Baptist church choir. He is the fourth child of 11 children and calls his mother "the most evil woman in my book," historian Gerri Hirshey says: "I am afraid of him now He used to hit me with anything, frying pan, wood stove - one time I ran away and cried for a week, living in the woods, me and my little dog. "Pickett finally went to live with his father in Detroit in 1955.
Maps Wilson Pickett
Early music career (1955-1964)
Pickett's powerful and passionate singing style was developed in the church and on the streets of Detroit, under the influence of a recording star like Little Richard, whom he described as "rock and roll architect."
In 1955, Pickett joined Violinaire, a gospel group. Violinaires plays with other gospel groups on a concert tour in America. After singing for four years in the popular gospel harmony group, Pickett, captivated by the success of the gospel singer who has moved to secular secular markets, joined Falcons in 1959.
In 1959, Pickett recorded the song "Let Me Be Your Boy" with Primettes as a background singer. This song is the B-side of her 1963 single "My Heart Belongs to You".
Falcons are the earliest vocal group that brings the gospel into a popular context, paving the way for soul music. This group features famous members who are the main solo artists; when Pickett joined the group, Eddie Floyd and Sir Mack Rice became members. Pickett's biggest success with Falcons is "I Found a Love", co-written by Pickett and featuring his main vocals. While only a small hit for the Falcons, it paved the way for Pickett to start his solo career. Pickett then had a solo hit with a two-part version of the re-recorded song, including in his 1967 album The Sound of Wilson Pickett .
Immediately after recording "I Found a Love", Pickett cut off his first solo record, including "I'm Gonna Cry", in collaboration with Don Covay. Pickett also recorded a demo for the song he wrote together, "If You Need Me", a slow soul ballad featuring the spoken sermon. Pickett sent a demo to Jerry Wexler, producer at Atlantic Records. Wexler gave it to label recording artist, Solomon Burke, the biggest star of the Atlantic at the time. Burke admired Pickett's song performance, but his own record "If You Need Me" became one of his greatest hit songs (# 2 R & amp; B, # 37 pop) and was considered the standard of the soul. Pickett was destroyed when he discovered that Atlantic had given his song. When Pickett - with a demo tape under his arm - returns to Wexler's studio, Wexler asks if he's upset by this loss, but denies saying "It's over". The Pickett version was released on Double L Records and was a moderate hit, peaking at # 30 R & amp; B and # 64 pop.
Pickett's first significant success as a solo artist came with "It's Too Late," an original composition (not to be confused with Chuck Willis standards of the same name). Entering the graph on July 27, 1963, it peaked at # 7 on the R & amp chart; B (# 49 pop); the same title used for Pickett's debut album, was released in the same year. Compiling multiple single release releases for Double L Pickett, It's Too Late showcases a vivid voice that predicts the singer's performance over the next decade. The success of this single persuaded Wexler and Atlantic to buy Pickett's double L of recording contract in 1964.
Get up in the stars: "At Midnight Hour" (1965)
Atlantic Pickett's career begins with his self-produced single, "I'm Gonna Cry". Looking to increase the chances of Pickett's chart, Atlantic paired it with record producer Bert Berns and songwriters Barry Mann and Cynthia Weil. With this team, Pickett recorded "Come Home Baby," a duet with singer Tami Lynn, but the single failed to be mapped.
Pickett's breakthrough came in Stax Records studio in Memphis, Tennessee, where he recorded his third single, "In the Midnight Hour" (1965). This song was Pickett's first big hit, peaking at # 1 R & amp; B, # 21 pop (US), and # 12 (English). It sold over a million copies, and was awarded a gold disk.
The origin of "In the Midnight Hour" was a recording session on May 12, 1965, in which Wexler made a strong rhythm with studio musicians Steve Cropper and Al Jackson from the band house Stax Records, including bassist Donald "Duck" Dunn. (Keyboard player Stax Booker T. Jones, who usually plays with Dunn, Cropper and Jackson as Booker T. & MG's, does not play in studio sessions with Pickett.) Wexler says to Cropper and Jackson, "Why do not you take this stuff here? ' He did a dance move.Cropper explained in an interview that Wexler told them that "this is the way children dance; they put an accent on two. Basically, we're single-beat-accenters with heartbeats; it's like 'booming dah,' but here's something that goes 'um-chaw,' just the opposite as far as the accent goes. "
Year Stax/Fame (1965-1967)
Pickett recorded three sessions at Stax in May and October 1965. He joined keyboardist Isaac Hayes for the October session. In addition to "In the Midnight Hour," Pickett's 1965 recordings included the single "Do not Fight It," (# 4 R & amp; B, # 53 pop) "634-5789 (Soulsville, USA,)" (# 1 R & amp; B, # 13 pop) and "Ninety Nine (Will Not Be Done)" (# 13 R & amp; B, # 53 pop). All except "634-5789" is the original composition written by Pickett with Eddie Floyd or Steve Cropper or both; "634-5789" is credited to Cropper and Floyd only.
For the next session, Pickett did not return to Stax, because label owner Jim Stewart had decided in December 1965 to ban production outside. Wexler took Pickett to Fame Studios, a studio also with an association close to Atlantic Records, located in a converted tobacco barn near Muscle Shoals, Alabama. Pickett recorded some of his greatest hits there, including the highest version of "Land of 1,000 Dances", which is the third album R & amp; B # 1 and his biggest pop hit, peaking at # 6. That is a million-sale disc.
Other great hits of this era in Pickett's career include two covers: Mack Rice "Mustang Sally", (# 6 R & amp; B, # 23 pop), and Dyke & The Blazers' "Funky Broadway", (R & B # 1, # 8 pop). Both tracks are millions of sellers. The band heard on most of Fame Pickett's recordings including keyboardist Spooner Oldham, guitarist Jimmy Johnson, drummer Roger Hawkins, and bassist Tommy Cogbill.
Then the year of the Atlantic (1967-1972)
Toward the end of 1967, Pickett began recording at American Studios in Memphis with producers Tom Dowd and Tommy Cogbill, and began recording songs by Bobby Womack. The songs "I'm in Love," "My Love is Jealous," "I Have Come," "I'm Movement Midnight," (co-written by Pickett and Womack), and "I'm Finding the Right Love" is a hit Womack- writing for Pickett in 1967 and 1968. Pickett recorded works by other songwriters in this period; Rodger Collins "" He Charming Good "and the traditional blues standard cover" Stagger Lee "is the Top 40 hit that Pickett recorded in America.Womack is the guitarist on all recordings.
Pickett returned to Fame Studios in late 1968 and early 1969, where he worked with the band featuring guitarist Duane Allman, Hawkins, and bassist Jerry Jemmott. Closing hit pop # 16 from The Beatles "Hey Jude" out of Fame session, as well as minor hit "Mini-Skirt Minnie" and "Hey Joe" (Jimi Hendrix hit).
Late 1969 found Pickett at Criteria Studios in Miami. Hit covers from Supremes "You Keep Me Hangin 'On" (# 16 R & amp; B, # 92 pop) and The Archies' "Sugar Sugar" (# 4 R & B, # 25 pop), and original Pickett "She Says Yes" (# 20 R & amp; B, # 68 pop) comes from these sessions.
Pickett teamed up with the Philadelphia-based hit hunter Gamble and Huff for the 1970 album Wilson Pickett in Philadelphia, featuring the next two hit singles, "Engine No. 9" and "Do not Let the Green Grass Fool You ", which last sold a million copies.
After these two hits, Pickett returns to Muscle Shoals and a band featuring David Hood, Hawkins and Tippy Armstrong. This lineup records the fifth and final hit of R & amp; B # 1, "Do not Knock My Love, Pt. 1". It was another Pickett recording that generated sales of over a million copies. Two further hits followed in 1971: "Call My Name, I'll Be There" (# 10 R & amp; B, # 52 pop) and "Fire and Water" (# 2 R & amp; B, # 24 pop), a cover of a song by Free.
Pickett recorded some songs in 1972 for a new album planned in Atlantic, but after the single "Funk Factory" reached # 11 R & amp; B and # 58 pop in June 1972, he left the Atlantic for RCA Records. His last single on the Atlantic, the cover of "Mama Told Me Not to Come," from Randy Newman, was taken from Pickett's 1971 album Do not Knock My Love.
In 2010, Rhino Handmade released a comprehensive compilation of these years titled Funky Midnight Mover - The Studio Recordings (1962-1978) . The compilations include all recordings that were originally issued during Pickett's Atlantic years along with previously unreleased recordings. This collection is sold online only by Rhino.com.
Post-Atlantic recording career
Pickett continues to record successfully in R & amp; B charts for RCA in 1973 and 1974, scoring four 30 hit R & B with "Mr. Magic Man", "See More on Woman You're With", "International Playboy" (recording of previously recorded songs for the Atlantic), and "Soft Soul Boogie Woogie". However, he failed to wade into the pop charts with regularity, as no song reached higher than # 90 on Hot 100. In 1975, with Pickett's most prominent chart career diminishing, RCA dropped Pickett from the label. After being dropped, he formed a short-lived Wicked label, where he released an LP, Chocolate Mountain . In 1978, he made a disco album with Big Tree Records titled Funky Situation, which was a coincidence when, at the time, Big Tree was distributed by his former label, Atlantic. The following year, he released an album in EMI titled I Want You.
Pickett continues to record sporadically with several labels over the next few decades (including Motown), sometimes making lower to mid-range R & B, but he did not have a pop hit after 1974. His last record was released in 1999, though he remained quite active in front of the tour until he became ill in 2004.
Pickett appeared in the 1998 film Blues Brothers 2000, where she performed "634-5789" with Eddie Floyd and Jonny Lang. She was previously mentioned in the 1980 Blues Brothers film, featuring several members of Pickett's backing band, as well as the appearance of "Everybody Needs Somebody to Love."
Personal life and honor
Pickett's personal life is problematic. In 1991, he was arrested for allegedly shouting death threats while driving on the front lawn of Donald Aronson, mayor of Englewood, New Jersey. Pickett agreed to conduct a charity concert in exchange for a loss of fees. The following year, he was accused of attacking his girlfriend.
In 1993, Pickett struck an 86-year-old pedestrian, Pepe Ruiz, with his car at Englewood. Ruiz, who helped set up the New York animation guild, died later that year. Pickett pleaded guilty to charges of drunk driving and received less than a year in jail and a five-year probation.
Throughout the 1990s, despite his personal problems, Pickett was repeatedly honored for his contributions to music. In addition to being inducted into Rock and Roll Hall of Fame in 1991, his music was featured prominently in The Commitments, with Pickett as an off-screen character. In 1993, he was awarded a Pioneer Award by the Rhythm and Blues Foundation.
Pickett is a popular composer, writing songs recorded by many artists, including Led Zeppelin, Van Halen, Rolling Stones, Aerosmith, Grateful Dead, Booker T. & amp; MG, Genesis, Creedence Clearwater Revival, Hootie & amp; Blowfish, Echo & amp; Bunnymen, Roxy Music, Bruce Springsteen, Los Lobos, Clock and Ani DiFranco, among others.
A few years after his release from prison, Pickett returned to the studio and received a Grammy Award nomination for 1999's It's Harder Now album. His return makes him honored as the Soul/Blues Male Artist of the Year by the Blues Foundation in Memphis. It's Harder Now was selected as 'Blues of the Year Comeback Album' and 'Soul/Blues Album of the Year.'
She starred in the 2002 documentary Just Strong Survive, directed by DA Pennebaker, a selection of the Cannes and Sundance Film Festival 2002. In 2003, Pickett was the judge for the second annual Independent Music Award to support the career of independent artists.
Pickett spent the twilight of his career playing dozens of concert dates every year until 2004, when he began to suffer health problems. While in hospital, he returned to his spiritual roots and told his brother that he wanted to record the Gospel album, but he never recovered.
Pickett is the father of six children.
On September 10, 2014, the TVOne Unsung program aired a documentary focusing on Pickett's life and career.
Death
Pickett died of a heart attack on January 19, 2006, in Reston, Virginia. He is 64 years old. She is buried in a tomb at Evergreen Cemetery in Louisville, Kentucky. Pickett spent years in Louisville. The remark was made by Father Steve Owens of Decatur, Georgia. Little Richard, Pickett's old friend, talked about him and preached at the funeral. Pickett was remembered on March 20, 2006, at BB King Blues Club New York with performances by Commitment, Ben E. King, his long-term support band Midnight Movers, soul singers Bruce "Big Daddy" Wayne and Southside Johnny in front of an audience that included family members , including two brothers.
Discography
Singles
Source of the article : Wikipedia
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